The Bughouse: The poetry, politics and madness of Ezra Pound

Product Description

In 1945, the great American poet Ezra Pound was deemed insane. He was due to stand trial for treason for his fascist broadcasts in Italy during the war. Instead, he escaped a possible death sentence, and was held at St Elizabeths Federal Hospital for the Insane for over a decade. His visitors there included the stars of modern poetry- T.S. Eliot, Elizabeth Bishop, John Berryman, Robert Lowell, Charles Olson and William Carlos Williams. They would sit and talk with Pound in the hospital grounds, and let him know what was happening in the outside world. This was perhaps the world's most unorthodox literary salon- convened by a fascist, and held in a lunatic asylum. Those who came often recorded what they saw. Pound was at his most infamous, at his most hated and most followed. At St Elizabeths he was a genius and a madman, a fascist and a poet, and impossible to ignore. Daniel Swift traces Pound and his legacy, walking the halls of St Elizabeths and meeting modern-day neo fascists in Rome. Unlike traditional biography, The Bughouse sees Pound through the eyes of others, at a critical moment in both twentieth-century art and politics, and in his own life. It portrays a fascinating, multifaceted artist, and illuminates the many great poets who gravitated towards this most difficult of men. In 1945, the great American poet Ezra Pound was deemed insane. He was due to stand trial for treason for his fascist broadcasts in Italy during the war. Instead, he escaped a possible death sentence, and was held at St Elizabeths Federal Hospital for the Insane for over a decade. His visitors there included the stars of modern poetry- T.S. Eliot, Elizabeth Bishop, John Berryman, Robert Lowell, Charles Olson and William Carlos Williams. They would sit and talk with Pound in the hospital grounds, and let him know what was happening in the outside world. This was perhaps the world's most unorthodox literary salon- convened by a fascist, and held in a lunatic asylum. Those who came often recorded what they saw. Pound was at his most infamous, at his most hated and most followed. At St Elizabeths he was a genius and a madman, a fascist and a poet, and impossible to ignore. Daniel Swift traces Pound and his legacy, walking the halls of St Elizabeths and meeting modern-day neo fascists in Rome. Unlike traditional biography, The Bughouse sees Pound through the eyes of others, at a critical moment in both twentieth-century art and politics, and in his own life. It portrays a fascinating, multifaceted artist, and illuminates the many great poets who gravitated towards this most difficult of men.
Daniel Swift teaches at the New College of the Humanities. His first book, Bomber County, was longlisted for the Samuel Johnson Prize and the Guardian First Book award, and his essays and reviews have appeared in the New York Times, the New Statesman, and Harper's.