Abe Sapien Dark And Terrible Volume 2

Product Description

When monsters began to tear down civilization, suspicion fell on Abe Sapien, who resembled the frogmen plaguing mankind. The two volumes of Dark and Terrible tell the complete story of Abe's quest to prove his innocence as he went AWOL from the Bureau of Paranormal Research and Defense.

At first he ran from the truth, but as this volume picks up he's ready to face facts about his origins and his purpose in the world--revealed in classically oblique Mignola style--all while being pursued by a mad necromancer who feels betrayed by the Devil and is eager to use Abe to gain new power amongst the creatures that have created a Hell on Earth.When monsters began to tear down civilization, suspicion fell on Abe Sapien, who resembled the frogmen plaguing mankind. The two volumes of Dark and Terrible tell the complete story of Abe's quest to prove his innocence as he went AWOL from the Bureau of Paranormal Research and Defense.

At first he ran from the truth, but as this volume picks up he's ready to face facts about his origins and his purpose in the world--revealed in classically oblique Mignola style--all while being pursued by a mad necromancer who feels betrayed by the Devil and is eager to use Abe to gain new power amongst the creatures that have created a Hell on Earth.
Mke Mignola began his career in 1980 by illustrating spots in the Comic Reader. His first published piece was in the Comic Reader #183, a spot illustration of Red Sonja (pg. 9). His first published front cover was the Comic Reader #196; Dominic Fortune, the Spirit, and Doc Savage in November of 1981. Mike Mignola began inking in August of 1983 for Marvel Comics. He inked issues of comic books such as Daredevil (#197 'Introducing' him), Power Man & Iron Fist. Mignola is particularly noted for his highly distinctive style, which was once called German expressionism meets Jack Kirby by Alan Moore, in an introduction to a collection of Mignola's Hellboy works. While Mignola has heavily influenced a new generation of comics artists since he began working on Hellboy, he was something of an odd man out in the superhero comics industry in the beginning of his career. Mignola's imagery stood in stark contrast to the style of his contemporaries. Where others would draw muscular men and slim, well-endowed women, Mignola's characters were usually bulky and rough-looking, and more often than not defined by large shadowed areas rather than fine details. Mignola often takes the same approach to architecture, particularly in Hellboy, where he often sets the scenes in slowly dilapidating Victorian and Gothic surroundings. He also commonly draws machines that feature steampunk imagery. Hellboy was made into a feature film in 2004 by director Guillermo del Toro. Mignola was closely involved with the movie's production and a sequel is currently in development. Recently, Hellboy has been made into two direct-to-video animated films, Sword of Storms and Blood and Iron in 2007. Prior to that, M